K-Mix is a handy audio multi-tool to have around; its combined feature set makes it a flexible and adaptive piece of gear to have around the studio. With the release of the BopPad we’ve been thinking a lot about drums and ways to integrate more KMI gear into drum rigs. One of the most exciting examples we’ve come up… Read more »
Brain is the nom de guerre of Bryan Mantia, a drummer, composer and producer known for playing drums in Primus and with Tom Waits, Guns N Roses, Buckethead, as well as scoring and recording music for movies and video games. We caught up with Brain to talk about his life behind the kit, the world… Read more »
“From a physical perspective, the BopPad couldn’t be simpler, but from a playing and performance point of view it’s extremely powerful… This is a great addition to any percussionist’s or programmer’s arsenal.”
The BopPad is a highly flexible MIDI device that can spit out a variety of data to control MIDI capable software and hardware. One thing that users have been wondering about is how to play different sounds based on the location in a particular quadrant. This is usually done with notes, and while the BopPad… Read more »
“100% Perfect little versatile USB Drum Pad”
“A go anywhere, tough as nails, and incredibly fun MIDI controller from the evil geniuses at KMI.”
“Right from the unboxing, I was impressed by the BopPad. The BopPad is an incredibly feature rich MIDI drum pad controller.”
K-Mix is a very flexible device covering audio input and output over USB, standalone mixing, and MIDI control. Having control over the audio going in and out of the K-Mix, as well as control over software all from the same box, can be extremely handy. Some software allows for third party integration through their own… Read more »
Have you ever wondered why you need to plug your turntable into a special input on your receiver? Or why K-Mix has “phono” and “line” options for inputs 3-8? Or why you can’t just plug it into a pair of powered speakers, start enjoying your old records and call it a day? Maybe you’ve recently finished… Read more »
We met up with Jonathan Snipes and William Hutson from the experimental hip-hop band clipping after their sold out show at Starline Social Club in Oakland, Ca. They were cool enough to tell us about their process and philosophy, interesting media they’ve consumed recently, and a bit about how they get the most out of the routing capabilities… Read more »
At this year’s NAMM show I had the opportunity to try my hand at the CRAFTsynth digital mono synth from the fine folks at Modal Electronics. You’ve probably seen it, it’s the $99 synth kit that can be assembled in under 10 minutes IKEA-style. But until I got my hands on one at the show I hadn’t really… Read more »
“Fantastic tool for many a producer, especially good for those with a hybrid hardware/software setup.”
The K-Mix has a lot of places to plug cables into and out of, and the type of cable you use can make some practical differences. I’d like to spend a little time talking about balanced, unbalanced, and differential signals, and share a few good resources with you. A good place to start this discussion… Read more »
“K-Mix manages to squeeze an awful lot into its frame and there’s much more here than immediately meets the eye. If you’re on the lookout for a hybrid audio interface, control surface and mixing environment, K-Mix offers all of the above at an attractive price point. 4.5/5 stars.”
The K-MIX from Keith McMillen is a great little mixer, audio interface, midi controller combination box. Here’s an introduction to how you can use it without any computer involved. Mix, set up the trims, aux sends, EQ etc. You can totally use it stand-alone, but there are additional features such as surround mixing, low cut,… Read more »