Marc Urselli is a 5-time nominated 3-time Grammy Award winning engineer, producer, mixer, and sound designer based out of New York City. He has recorded the likes of Mike Patton, Laurie Anderson, and has recorded all of John Zorn’s albums since 2007 (as well as some on Zorn’s label Tzadik). We asked of him the ridiculously unfair task… Read more »
Posts Categorized: Blog
Sylvia Massy is a master recording engineer known for her work with Tool, System of a Down, Johnny Cash and Red Hot Chili Peppers, as well as her innovative and unorthodox recording methods. Her book, Recording Unhinged: Creative and Unconventional Music Recording Techniques came out last year and is an amazingly fun and enjoyable guide to… Read more »
The K-Mix has a lot of places to plug cables into and out of, and the type of cable you use can make some practical differences. I’d like to spend a little time talking about balanced, unbalanced, and differential signals, and share a few good resources with you. A good place to start this discussion… Read more »
When we first set out to strike new ground in the audio world we knew that our new project would live or die on the strength of the preamps. After thousands of hours spent researching and developing our design from the ground up, evaluating components and measuring every last specification, we had achieved what many… Read more »
One of the more exciting things about K-Mix is its flexibility. When connected to a computer this device can serve as an Audio Interface, Mixer, and Control Surface all at the same time. While using the K-Mix in Mix mode, the diamond pad will send standard Mackie Control Messages. These messages can be used with a… Read more »
If you’ve ever fantasized about mixing with your hands similar to how you control a Theremin or in the movie Minority Report, your dreams are now closer to reality! With the latest K-Mix update, which enables sending MIDI message to fully control K-Mix, combined with the the K-Mix API and the incredible Leap Motion controller,… Read more »
Softstep 2 Infinity preset 1 = LOOP 1 button on the Infinity, record, play, overdub 2 = LOOP 2 button on the Infinity, record, play, overdub 3 = UNDO (redo) button on the Infinity remote – undoes and redoes the last thing you did 4 = REVERSE button on the Infinity remote – reverses the… Read more »
KMI’s European Territory Manager was a Superbooth last week and has written up this recap of his time at the event. Sounds like a fun time with good people!
Vernon Reid is the founding member, guitarist and primary songwriter of the metal-funk-rock-jazz outfit Living Colour, as well as guitarist in the Tony Williams tribute band Spectrum Road and Yohimbe Brothers with DJ Logic. We caught up with Vernon to talk about some of the albums that he has found inspiring over the years.
We’ve gotten quite a few requests lately about a Control Script that integrates the K-Mix with Ableton Live. Don’t worry, it’s on its way! In the meantime, you can still get some dynamic hands-on control using an often overlooked text document. Using the UserConfiguration.txt file, we can quickly provide a way to play with devices… Read more »
Did you know the K-Mix functions as an audio interface with two µPre microphone preamps, as a standalone programmable digital mixer with onboard DSP and surround panning, and as a MIDI control surface to send control change messages to your DAW? And that it can do all of these functions at the same time? We’ve… Read more »
In the previous article we started by setting up a few systems for synchronization and quantization in Max. In this article we will begin putting that work to use when we start recording and playing back audio using some basic DSP buffer operations. We will implement this playback and recording system in gen~ using max-like… Read more »
A single K-Mix already offers a hefty amount of I/O for an audio interface — 8 inputs and 10 outputs (including the stereo headphone output), but you can expand that even further by combining multiple K-Mix into a single aggregate device. Want 16 inputs and 20 outputs? Get two K-Mix. MORE? Get MORE! In this… Read more »
At some point in your life of a computer musician, you’ll be tempted to experiment with making your own tools. Whether that means using MIDI mapping to create a performance template or coding a plugin in C, the options for getting into tool making are quite expansive. For me, this meant repurposing controllers with Max… Read more »