If you’ve ever fantasized about mixing with your hands similar to how you control a Theremin or in the movie Minority Report, your dreams are now closer to reality! With the latest K-Mix update, which enables sending MIDI message to fully control K-Mix, combined with the the K-Mix API and the incredible Leap Motion controller,… Read more »
Search Results for: MIDI
Working in technical support for KMI, I am often confronted with requests for functionality from some of our devices that we didn’t include for one reason or another. There’s a variety of tools that you can use for this task, such as Max, Bome’s MIDI translator or Pure Data. All of these software environments can… Read more »
Amplitude Modulation is a simple concept that can yield harmonically rich and bizarre timbres not easily achieved via other methods. In this article we’ll expand on the topics introduced in Simple Synthesis – Amplitude Modulation and play around with the concepts behind AM Synthesis. Modulation sources do not need to be low-frequency oscillators or envelope… Read more »
In our first Simple Synthesis Addendum we learned how to connect a VCO to a VCA and control their ‘frequency’ and ‘gain’ AudioParams using a MIDI controller via the Web MIDI API. Good stuff! We now have a simple synth we can play. In this post we’ll learn how to shape our notes by building… Read more »
Emmett Corman has a great introductory series on the basics of synthesis (using modular synths), called Simple Synthesis. I thought it would be of value to those without access to the hardware to be able to explore and interact with the concepts that Emmett covers directly in the browser, using the Web MIDI and Web Audio… Read more »
MIDI has officially hit the web browser! Well, at least in Google Chrome. With the latest version of Google Chrome, MIDI is enabled by default, whereas previously it needed to be enabled by setting a special flag in your browser. This opens up a huge variety of possibilities for not only art and music in… Read more »
The best way to unlock the hidden potential of any semi-modular synthesizer is by sequencing. This post will describe the necessary steps to use the QuNexus as a MIDI-to-CV converter along with Ableton Live to control the legendary Oberheim Synthesizer Expander Module.
With the advent of small, portable, MIDI enabled analog synthesizers, computer musicians now have the option of controlling a lot more than VSTs. If you have a USB MIDI interface (or other means of getting MIDI from your computer to 5 Pin MIDI connections), you can leverage the sequencing power of Live to control all… Read more »
KMI products like SoftStep and QuNeo are handy controllers for music creation and more, but how do they work? They use a data protocol called MIDI to send event information such as note events and parameter changes. It’s important to understand that MIDI does not create sound. Instead, it streams a list of instructions that… Read more »
Did you know that every K-Board Pro 4 ships with a free license for Bitwig Studio 8-Track? That means that everyone with a K-Board Pro 4 can start exploring the exciting new world of MPE synths right out of the box! The folks at Bitwig have made the process of mapping MPE Expression controls simple…. Read more »
Brain is the nom de guerre of Bryan Mantia, a drummer, composer and producer known for playing drums in Primus and with Tom Waits, Guns N Roses, Buckethead, as well as scoring and recording music for movies and video games. We caught up with Brain to talk about his life behind the kit, the world… Read more »
One of the most often requested features for the BopPad is the ability to send out multiple notes per quadrant. In a previous article we discussed setting this up in Ableton Live, but what if you don’t have Ableton Live? I’ve coded up a Max application (mac only for the time being) that can act… Read more »
The BopPad is a highly flexible MIDI device that can spit out a variety of data to control MIDI capable software and hardware. One thing that users have been wondering about is how to play different sounds based on the location in a particular quadrant. This is usually done with notes, and while the BopPad… Read more »
I had the opportunity to interview Jeff Kaiser, the trumpet playing experimental electronics wizard, pfMentum label head, and professor of Composition and Music Technology at the University of Central Missouri about his musical practice, the relationships in which he finds inspiration, and the questions that drive his unique and towering musical accomplishments.